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Rosy Riggins, Latino Segment Project Manager, Diverse Growth Segments, Wells Fargo (Oct. 2006)
“Thank you for such a wonderful and inspirational presentation. All of the presentations were great but yours was exceptional.
What's Black About
it?

At last -- in-depth, qualitative insights paint an eye-opening picture of Black culture and lifestyle and how to connect your products and services with Black consumers.
ISBN 0-9725290-9-0 REVIEWS
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CASE STUDY

Situation:
The Chicago Symphony Orchestra (CSO) was awarded a grant by the Joyce Foundation to reach out to underserved communities. The CSO decided to focus their initial efforts on the African-American market.
- In 2003, HMG won the two year project and implemented the following design:
- Research (Qualitative)
- Helped define target well beyond better educated and high income
- Conducted exploratory focus groups to better understand target’s attitudes and behavior with regard to the CSO and the performing arts
- Market strategy and implementation planning
- Developed “Classical Tapestry” Program (“Relevant” three concert series and pre-concert receptions with artists)
- Developed marketing plan/strategies
- Media partnerships
- Affinity groups (Grass Roots efforts)
- Research (Quantitative and Qualitative)
- Overall perceptions of Classical Tapestry program
- Perceptions of CSO
- Relevancy of concerts
- Overall Treatment
- Changed perceptions, if any
- Per the qualitative and quantitative research, year two and three of Classical Tapestry (2005 -2006) results were better and showed improvements on key aspects versus the 2004 program.
- Higher recall of the brochure
- Higher purchase incidence of Classical Tapestry packages and tickets
- Higher African -American satisfaction levels
- Additionally, Classical Tapestry showed signs that this program is evolving from an “outreach” concept to a “cultural” event
- Culture from an artistic and African-American standpoint
- Has “cache” in the Black community
- Many of core original attendees are repeat users
- The percentage of first time African-American CSO attendees declined from 37% in 2004 to 15% in 2005, and second time attendees increased, indicating that Classical Tapestry is working to introduce African Americans to the CSO.
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